Say it all With a Kiss – Teen Canteen
Since their formation in 2012, Glasgow band TeenCanteen have been steadily growing their fan base with their addictive form of sweet infectious Indie pop. Their diminutive front woman, Carla Easton has said previously that they didn’t want to release an album too soon in their career. With this sparkling debut they have proved that the wait was worthwhile .
Right from the off we are introduced to the bands trademark blend of synths and harmony vocals. We are in familiar girl group territory here but Carla and co frequently take us off in new directions. The opening tracks, including Sisters, Kung Fu Heartbeat and Roses are pure pop gems. However it is the four song sequence that follows that will have the listener playing this album in its entirety for weeks on end. Friends, Honey, How We Met (Cherry Pie) and Dancing see the band deploy every weapon at their disposal in a charm offensive guaranteed to win over the most cynical amongst us, all delivered in a distinctive Scottish accent. Gorgeous harmonies, memorable tunes and inventive lyrics grab your attention and refuse to let go.
The band are described on their own website as providing sticky cherry cola-kissed three part harmonies. In the wrong hands that could prove to be a sickly recipe. When a band are as sure footed as this over indulgence was never going to be an issue.
There were more than a few decent albums released in 1991. Out of Time by REM, Trompe le Monde from the Pixies, Achtung Baby from a re-invented U2 and the behemoth that was Nirvana’s Nevermind all made their first appearance in that year. It was going to take something special for any album to hold their own amongst such strong competition. With the entry in to the fray in November 1991 of Bandwagonesque, Teenage Fanclub more than made their mark.
Every great album has a great opening track, The Concept sets us up perfectly for what is to come. From its opening couplet about a denim clad girl planning to buy some Status Quo records until the end of its fabulous extended guitar coda we are treated to over six minutes of pure power pop bliss. Second track, Satan, is a tease. Eighty two seconds of shambolic guitar thrashing seems to say, this is what we could do, now listen to what we are going to deliver. What follows is track after track of utter aural delight. The combination of great melody, delicious vocals, and snappy lyrics is irresistible. Even twenty five years on it still has the listener smiling frequently. Sometimes it’s knowingly as a familiar emotion is exposed. More often though it’s just a joyous reaction to the sheer audacious dumb fun of it all.
Tracks like ‘What you do to me’ perfectly brings to life the sheer wonder of falling in love. It’s done simply with a great tune, superb vocals and a lyric that barely lasts four lines. On Metal Baby the love-struck singer tells us ‘’I’m not the sort of person she’ll admit she knows, She’s not the sort of person as driven white as snow.’’ In two lines he hasn’t just introduced the characters, he has evoked memories of every high school movie you have ever seen. There is no happy ending for this mismatched pair though as our indie geek hero sees his metal head girl leave town with the band.
There may be some imperfections here. Sidewinder doesn’t quite meet the standards of classic tracks like Alcoholiday but it only serves to highlight just how high the band were setting the bar. It’s certainly not a groundbreaking album. Its influences are all too obvious here with The Beach Boys and The Byrds humming away in the background as Big Star dominates the foreground. However If the major requirement of a great album is to be packed with great songs, Bandwagonesque is up there with the best that a Scottish band has given us. Its reaches its 25th anniversary in November, the perfect excuse to give it another listen. Do it soon, you won’t be disappointed.